click on pick for sharper enlargement
The purpose of this blog was to force me to do a drawing a day. However, it is other artist’s drawings I seem to display.
Sunday, July 7, 2013
Saturday, July 6, 2013
Gil Elvgren
Friday, July 5, 2013
Canadian Fur Trapper
pencil on bond paper
click on pick for sharper image
This illustration depicts a French
Canadian Trapper from the 1850’s -1860’s. He is sporting a capote jacket made
from a Hudson Bay trade blanket and is followed by his Indian Dog pulling a travois.
Information for this illustration
was obtained from the art work of two contemporary artists of the time:
Cornelius Krieghoff and Rudolf Friedrich Kurz.
For another Kurz related blog post click here
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| Following the Moose, oil on canvas painting by Cornelius Krieghoff, ca. 1860, 11 x 9.5 in., |
Garret's sculpture of an Indian Dog travois, 14" X 24" X 10"
Thursday, July 4, 2013
Wednesday, July 3, 2013
George Bridgman
The following academic charcoal studies,
drawn on newsprint, were all created by students in the classes of GeorgeBridgman, who taught anatomy and figure drawing at The Arts Student League in
New York. Many of these scans were borrowed from the illustration art blog, which
has a nice article on Bridgman.
Bridgman was an instructor at the League
for 45 years and was presumed to have taught 70,000 students. His influence on
illustrators and fine artists over the generations is incalculable.
His teachings continue through his figure
drawing books which are still in production and widely used. Every serious
figurative artist has a copy of one of his books on their bookshelf.
- Bridgman's Complete Guide to Drawing From Life
- Constructive Anatomy
- The Human Machine
- Bridgman's Life Drawing
- Heads, Features and Faces
- The Book of a Hundred Hands







Robert Beverly Hale taught the
classes after George Bridgman’s departure from the school...
Tuesday, July 2, 2013
Monday, July 1, 2013
Atmospheric Perspective
This scan was lifted from the Today's inspiration facebook group
Frank Frazetta
The above ink drawing by Frank Frazetta is a good example of the use of atmospheric perspective. Notice how the guy on the slab is rendered in a lighter value of line than the girl. This creates the illusion of depth.Also,
in regards to depth, a thicker line will come forward and a thinner
line will recede. The same goes for sharp lines and fuzzy lines.
For another Frazetta ink drawing
click here
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